On Research Leave Academic Year 2018-2019
D.N. Rodowick is the author of numerous essays as well as five books: The Virtual Life of Film (Harvard University Press, 2007); Reading the Figural, or, Philosophy after the New Media (Duke University Press, 2001); Gilles Deleuze's Time Machine (Duke University Press, 1997);The Difficulty of Difference: Psychoanalysis, Sexual Difference, and Film Theory (Routledge, 1991); and The Crisis of Political Modernism: Criticism and Ideology in Contemporary Film Theory (University of Illinois Press, 1989; 2nd edition, University of California Press, 1994). His edited collection, Afterimages of Gilles Deleuze's Film Philosophy, was published by University of Minnesota Press in 2009. Two new books will be published by Harvard University Press, Elegy for Theory in 2013 and Philosophy’s Artful Conversation in 2014. Rodowick's essay, "An Elegy for Theory," received the Katherine Singer Kovacs Essay Award from the Society for Cinema and Media Studies in 2009. Having taught at Yale University until 1991, Rodowick began the film studies program there. After studying cinema and comparative literature at the University of Texas, Austin, and Université de Paris 3, he obtained a PhD. at the University of Iowa in 1983. Rodowick subsequently taught at the University of Rochester and at King's College, University of London, where he founded the Department of Film Studies and the Film Study Centre. Before coming to the University of Chicago, he was William R. Kenan, Jr. Professor of Visual and Environmental Studies and Director of the Carpenter Center for Visual Arts at Harvard University, where he also helped create a new PhD. program in Film and Visual Studies. Special research interests include aesthetics and the philosophy of art, the history of film theory, philosophical approaches to contemporary art and culture, and the impact of new technologies on contemporary society. Among other honors, he has also been a fellow of a Fellow at the Society of Fellows at Cornell University and a Senior Fellow at the Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie at the Bauhaus-Universität in Weimar, Germany. In 2002, he was named an Academy Film Scholar by the Academy of Motion Picture Arts and Sciences. Rodowick is also a curator, and an award-winning experimental filmmaker and video artist.